(3 Dec 2024)
ITALY AGE OF FUTURISM
SOURCE: ASSOCIATED PRESS
RESTRICTION SUMMARY:
LENGTH: 5:37
ASSOCIATED PRESS
Rome – 2 December 2024
1. Wide hall with aeroplane Macchi MC72 seaplane
2. Wide “electricity” hall with portrait of Guglielmo Marconi by Alessandro Bruschetti
3. Portrait of Guglielmo Marconi by Alessandro Bruschetti +MUTE+
4. Self portrait of Umberto Boccioni +MUTE+
5 Painting by Giacomo Balla: Iridescent Compenetration +MUTE+
6. Wide of paintings by Giacomo Balla: “Arc Lamp” and “The Sun” by Pellizza da Volpedo +MUTE+
7. Pan installation in entrance +MUTE+
8. Close installation in entrance +MUTE+
9. Painting by Previati Gaetano “Mammina” and cinema projector +MUTE+
10. SOUNDBITE (Italian) Gabriele Simongini, curator of the exhibition:
“Without a doubt, Filippo Tommaso Marinetti can be considered one of the most important figures of the 20th century. What is even more astonishing is that the further we go in time, the more Marinetti is not only not outdated, but, on the contrary, is more understandable in his prophecies. Marinetti prophesied the mobile phone, the computer, even air conditioning, and above all, Marinetti understood something fundamental that is today a key point in our way of life: that is, the relationship between human being and machine. That is why there is an installation with artificial intelligence in the exhibition. Marinetti understood that the future would have a fundamental problem: ‘What would the human become in the relationship with the machine?’ And that question is for us to solve"
11. Hall with vintage car
12. Painting by Giacomo Balla: Villa Borghese +MUTE+
13. Painting by Giacomo Balla: Affections +MUTE+
14. Painting by Giacomo Balla: The Doubt +MUTE+
15. Close of painting by Giacomo Balla: The Doubt +MUTE+
16. Wide of hall with people visiting the exhibition
17. Fortunato Depero painting and sculpture in foreground
18. Wide of hall with installation
19. Various of paintings
20. Woman visiting the exhibit
21. Paintings by Giacomo Balla: “In the mirror” and “Outdoor portrait” +MUTE+
22. SOUNDBITE (Italian): Gabriele Simongini, curator of the exhibition:
“This exhibition represents a new chapter in the reading of Futurism. After all the great exhibitions of the past, it was difficult to find a different approach. This is the first exhibition that really relates Futurism to our times.”
23. Wide of paintings on wall +MUTE+
24. Painting by Giacomo Balla +MUTE+
25. Painting by Giacomo Balla: forms cry viva l’italia
26. Hall with Intonarumori (experimental musical instruments) +MUTE+
27. Red vintage car +MUTE+
28. Painting by Giacomo Balla: The madwoman +MUTE+
29. Illustration by Antonio Sant’Elia: La città nuova
30: Various works by Sant’Elia
31: Painting by Luigi Russolo: self portrait with skulls +MUTE+
32. Hall large with works by Fillia (pseudonym of artist Luigi Colombo)
33: Wide of 4 paintings and airplane wings
34. Wide of 5 paintings by Fillia
35: Close machine
36: SOUNDBITE (Italian) Gabriele Simongini, curator of the exhibition:
“Another subtitle for the exhibition could be: futurism is today”
37: People visiting +MUTE+
38: Umberto Boccioni’s Portrait of Maestro Brusoni and “Plastic synthesis of seated figure” +MUTE+
39: Man reading catalogue in front of sculptures of Medardo Rosso +MUTE+
40. Exterior of National Gallery of Modern and Contemporary Art
STORYLINE:
LEADIN:
Technology, violence, youth, and a fast pace of life are all key to Futurism, an art movement that developed in Italy.
STORYLINE:
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