(27 Nov 2024)
UK ELECTRIC DREAMS
SOURCE: ASSOCIATED PRESS
RESTRICTION SUMMARY:
LENGTH: 6:06
+CLIENTS PLEASE NOTE EDIT CONTAINS STROBING LIGHTS+
ASSOCIATED PRESS
London, UK – 26 November 2024
1. Various of ‘Light Prisms. Spectral Kinetic Mesh’ by Alberto Biasi (1966)
2. Various of people playing with balls in ‘Chromointerferent Environment’ by Carlos Cruz-Diez
3. SOUNDBITE: (English) Catherine Wood, director of exhibitions, Tate Modern
"What we’re trying to do in this show is look at the generation of artists from the 50s to the 1990s, just before the internet, the World Wide Web, who were kind of envisaging the digital world that we live in now, but using quite rudimentary tools to do so."
4. Various of people watching TV installation art work +STROBING LIGHTS+
5. Various of people looking at ‘Dreammachine no. 9’ by Brion Gysin (1961) +STROBING LIGHTS+
6. SOUNDBITE: (English) Catherine Wood, director of exhibitions, Tate Modern
"These are artists who, instead of using oil paint or bronze, use the tools of technology that were available to them to try to picture a kind of utopian future. After all the disruption of the Second World War, to try and think like how can we make work that connects us to the modern world we’re living in? How do we better connect to each other, was a big impulse for those artists too."
7. Over the shoulder of woman looking at spinning optical illusion art installation
8. Close of same
9. Close of ‘Helicoidal Chromokinetics’ by Martha Boto (1968)
10. SOUNDBITE: (English) Tabish Khan, art critic
"It’s this idea that technology and art have always been interlinked. So a lot of the things here will look quite lo-fi, but that shows that artists have always been using technology. I think we think of today, we think of artists using AI and so forth. But you can see that right from the onset of technology becoming part of our day to day life artists were experimenting with it."
11. Wide of exhibition gallery and woman looking at art
12. Pull focus of artwork
13. Pan right of ‘Lattice B’ by Tatsuo Miyajima (1990)
14. Close of same showing numbers counting
15. SOUNDBITE: (English) Tabish Khan, art critic
"I think there is a nostalgic value to this art, in that it reminds you of times gone by. But also it’s important to chart that every product of art today came from somewhere. And this is the journey that it took to get to where it is today."
16. Various of ‘Electro-Magnetic Music’ by Takis (1966) – needle strikes the wire to create sound
17. Various of ‘Sand Machine Bahag’ by David Medalla (1963-2015)
18. Various of ‘Telelumiere no.4’ by Takis (1963-64)
19. Set up shot of Suzanne Treister
20. SOUNDBITE: (English) Suzanne Treister, artist
"People in my studio building were really frightened for me. That I would be eaten by the machine."
21. Close of ‘Fictional Videogame Stills’ by Suzanne Teister (1991-92)
22. Over the shoulder shot of same
23. SOUNDBITE: (English) Suzanne Treister, artist
"I think artists using AI is just a part of an inevitable series of artists using new technologies. And I think artists using AI is far better than the military using AI."
24. Close of ‘Fictional Videogame Stills’
25. Various of ‘The Bride’ by Liliane Lijn’ (1988)
26. Wide of people at Electric Dreams exhibition
27. Close of man and woman talking at exhibition
28. Wide of woman looking at ‘Untitled’ by Mohsen Vaziri Moghaddam’ (1968)
STORYLINE:
LEADIN:
Electric Dreams at the Tate Modern gallery in London is packed with kinetic, digital and immersive works from leading artists around the world.
STORYLINE:
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