(4 Sep 2024)
GERMANY ART EXHIBITION
SOURCE: ASSOCIATED PRESS
RESTRICTION SUMMARY:
LENGTH: 5:37
ASSOCIATED PRESS
Duesseldorf, Germany – 4 September 2024
1. Zoom in to ‘1024 Farben, 1974’
2. Camera pan right over exhibition
3. Close, camera tilt down over ‘1024 Farben, 1974’
4. Mid of ‘Pfad, 1983’
5. Close, camera pan right over ‘Pfad, 1983’
6. Close, camera tilt down over ‘Pfad, 1983’
7. SOUNDBITE (German) Markus Heinzelmann, Gerhard Richter expert and curator of the exhibition, Professor of Museum Practice at Ruhr University Bochum:
“This is an exhibition that could not be organised anywhere else in the world, not only for regional reasons, but above all because Gerhard Richter has been collected here since his very beginnings in West Germany. So we have a collector base that is as old as Gerhard Richter himself – he is 92 years old today – right down to very young collectors who collect him.”
8. Close and camera tilt up over ‘Abstraktes Bild, 1983’
9. ‘Abstraktes Bild, 1983’
10. Close and camera tilt down over ‘I.S.A., 1984
11. ‘Abstraktes Bild’, 1988′
12. Close and camera tilt up over ‘Abstraktes Bild, 1988′
13. Wide of exhibition, with man having a closer look at “I.S.A., 1984’
14. SOUNDBITE (German) Markus Heinzelmann, Gerhard Richter expert and curator of the exhibition, Professor of Museum Practice at Ruhr University Bochum:
“So ‘hidden gems’ (the name of the exhibition) means that many of these paintings have actually never or extremely rarely been seen before. We have a focus on the paintings in this exhibition. Over 120 works in total, of which over 80 are paintings and exactly half of them are virtually unknown, have never been seen or have been exhibited very, very rarely.”
15. Man taking a photograph in front of ‘I.S.A., 1984′
16. Close and camera tilt up over “Abstraktes Bild, 1985’
17. ‘Abstraktes Bild, 1985′ on display in the foreground
18. Close and camera pull out “Abstraktes Bild, 1992’
19. ‘Abstraktes Bild, 1992
20. SOUNDBITE (German) Markus Heinzelmann, Gerhard Richter expert and curator of the exhibition, Professor of Museum Practice at Ruhr University Bochum:
“We went to private collections in the Rhineland and were allowed into the sacred rooms of the collectors and found works there that were known to exist, but had never been seen in an exhibition.”
21. Wide of exhibition, camera pan left to woman walking past
22. Camera pan right from “Abstraktes Bild, 2017’ and ‘Abstraktes Bild, 2017’ (right) to ‘A B, Courbet, 1986’
23. Close and camera tilt down over ‘A B, Courbet, 1986’
24. Close of ‘Moritz, 2000/2001/2019’
25. Close and camera tilt up over ‘Rosen, 1994’
26. ‘Moritz, 2000/2001/2019’ (left) and ‘Rosen, 1994’ (right)
27. SOUNDBITE (German) Markus Heinzelmann, Gerhard Richter expert and curator of the exhibition, Professor of Museum Practice at Ruhr University Bochum:
“The nice thing for me was that these works, the paintings by Gerhard Richter in particular, often fulfil a social function in the families. So, for example, they hang above the dining room table. In a second step, of course, this means that the whole family gathers around the dining room table on all important occasions. And of course that also means that they gather under or in front of the painting by Gerhard Richter. These are often very exciting and touching moments.”
28. ‘Fenster, 1968’
29. ‘Close of “Fenster, 1968’
30. ‘Kuh, 1964’
31. Close and camera tilt up over ‘Kuh, 1964’
32. Camera pan left over exhibition room, with ‘Alpen II, 1968/69′ among other Richter works
34. “Wolken (blau), 1970’
36. Close of ‘Seestück, 1968’
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