Exploring Kandinsky’s use of shape and colour in new Berlin retrospective

(15 Feb 2025)
GERMANY KANDINSKY

SOURCE: ASSOCIATED PRESS

RESTRICTION SUMMARY:

LENGTH: 5:44

ASSOCIATED PRESS
Museum Barberini, Berlin, Germany – 13 February 2025

1. Various of ”In the black square” by Wassily Kandinsky (1923)
2. Cutaway of man taking photo of picture
3. Close of sign reading: (English) "Kandinsky: Kandinsky’s Universe, Geometric Abstraction in the 20th Century"
4. SOUNDBITE: (German) Ortrud Westheider, director Museum Barberini
"Point and line to surface, as Kandinsky said. That may at first seem very basic or elementary, but it has led to great diversity. We named the exhibition Kandinsky”s Universe because this renewal of painting through elementary forms, which began in the 1920s and continued throughout the entire 20th Century, ultimately resulted in the true liberation of colour."

5. Wide of paintings
6. Various of “White Sound” by Wassily Kandinsky (1908)
7. Various of “Construction of colour” by Alexandra Exter (1921)
8. SOUNDBITE: (English) Sterre Barentsen, curator
“The exhibition starts in the 1910s and goes all the way up to the 1970s. So it’s a big arc that gets drawn here. With Kandinsky’s theories of colours and forms and their emotional resonance in people as the main subject of the exhibition.”

9. Various of “White cross” by Wassily Kandinsky (1922)
10. Various of “Composition Z VIII" (1924)
11. SOUNDBITE: (English) Sterre Barentsen, curator
“I mean, it is a very art historical exhibition in many ways. There is a lot of Kandinsky’s biography in it. Also a lot of, maybe, movements such as hard edge or op-art that maybe some viewers wouldn’t be familiar with. But also, you can just not read anything and look at the pictures, and the pictures speak for themselves.”

12. Wide of “Third Theme” by Burgoyne Diller (1946) on exhibition wall
13. Various of “Third Theme”
14. Various wides of exhibition
15. Various of “Neoplastic composition 5a” by Cesar Domela (1924)
16. Wide of “Arrow toward the circle” by Wassily Kandinsky (1930)
17. SOUNDBITE: (German) Ortrud Westheider, director Museum Barberini
"Eight years after our start here at the Museum Barberini, we have gained the trust of many major lenders, allowing us to now showcase works from Washington—from the National Gallery as well as from the Fondation Gandur (Geneva), which has been especially generous in its support."

18. Various of “Arrow toward the circle” by Wassily Kandinsky (1930)
19. Various of “Spatial Force Construction” by Ljubow Popowa (1921)
20. Wide of exhibition
21. Various of “Red light, spherical composition” by Iwan Kiljun (1923)
22. SOUNDBITE: (English) Sterre Barentsen, curator
“I think kids love Kandinsky. I think Kandinsky also really loved children’s drawings. And this kind of playfulness in his works. You always see, which is funny, because if you look at pictures of him he always looks like such a stern, serious man in a suit. But then his pictures have so much colour, so much life, so much playfulness.”

23. Exterior of Museum Barberini in the snow
24. Close of sign for exhibition

STORYLINE:
LEADIN:

Wassily Kandinsky’s distinctive explorations of colour and form are the subject of a major new exhibition.

Berlin’s Museum Barberini is hosting many of the most important works by Russian-born artist Kandinsky.

STORYLINE:

Color, shapes and forms – Wassily Kandinsky was a master in making pictures that made people feel a sense of happiness and satisfaction.

Now, a new exhibition at the Museum Barberini in Potsdam explores the world he created and the artists that followed in his footsteps.

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